Golf Widow’s Studio

Just after dark one gusty evening in the autumn of 20–, I was enjoying the twofold luxury of meditation and ein Dunkles in company with my friend M. in our little library or literary closet. For one hour at least we had maintained a profound silence, while each, to any casual observer, might have seemed intently and exclusively occupied with the curling wisps of American Spirit within our chamber.

Additional raw material for a brown study might have been the thickness of the dust which enveloped us. The gray plague carpeted the originally white, cheap Berber carpet, and extended under the furniture to unreachable recesses – domestic black holes. It also turned shelves into mysterious burial sites, making identification of curios on them almost impossible. But M. and I were not morbid about housekeeping. While the former sniffed among decaying tomes, timeworn mica specimens, dog-eared greeting cards, an Ikebana sculpture of dead flowers and dead branches, I sought enlightenment on the opposite wall, where illustrations of a starlet, mandolin player, jester in motley and trio of nymphs – bygone attractions on the covers of framed Broadway playbills – called from the past that “The show must go on!”

Suddenly a high-definition television, evidently obeying a preset timer, thrust the disturbing fashion statements and frighteningly earnest whispers of a golf tournament into the gloom. Defending myself and M. with the remote, I plunged the chamber in a deeper funereal stillness, then groped for illumination past dormant yellow candles, which resembled aging blocks of monastery cheese, and slid with M. through the narrowly open, heavy-as-a-prison-door “sliding” glass door before the dissipating scent of American Spirit could prevent us from following it to its source. Once outdoors, we halted before a redoubt of wicker chair, pillows, books, smartphone, magazines, paints, clipboard, Assam tea, bills, fans (electric and Japanese sensu), nail polish, nail-polish remover, pens, pencils, ashtray and post-it notes. A wood screen reminiscent of a partition for a courtyard maze shielding a shrine in Mecca stood between us and the Golf Widow.


 
 

coming in 2018

Hornbostel Wunderkammer

Golf Blooded, reinterpretation of Foreigner’s Hot Blooded (1978)

Fair Hill View for an Afternoon, to be unveiled in the Landschaftszimmer (Landscape Room), which will open its doors for the first time on the occasion